Works

Current Projects

New Work – 7′. Saxophone, Percussion, Piano. 

bread and butter, bones and nutters, on the river styx – 7′. Pierrot Ensemble. for Ensemble Pink Noise. 

Violin & Electronics – Collaboration with Christine Cornwell.

Gaia’s Song – For Bassooon & Field Recordings. 

Installation (Broken Strings) – TBC

…doubtful are such senses…fruitful is the world… – 5′. Video, Electronics, & Violin. For Ellie Hedger.

:: listening :: sounding :: writing :: – Book of text scores.

Work List

Solo/Duo 

Parallax – c. 7′-9′. Amplified Singing Violist. For Wendy Richman.

ignis fatuus– Open Duration – for Oboe(s) and Flute(s), for East Chamber Music February Festival. 

…remnants… – 4′. Double Bass. 2021.

…glimpses of reverie… – 6 miniatures for Domra. For Anya Shatilova. 2021.

two poems – 2′. Solo Violin. 2021. Presented alongside Aileen Ballantyne’s poetry performance at StAnza, Scotland’s International Poetry Festival, St. Andrews, Scotland, March 2021.

Seven Gates or Choices for the Lost Leaves of Time – Variable Duration (at least 12 minutes). 7 miniatures for Toy Piano. 2021.

reaching out –  11′. Domra, Voices, & Electronics. 2020. With Anya Shatilova.

low pressure – 10′.  Amplified Violin & Electric Guitar. 2020.

little moments, little things – 1′. Music Box. 2020. for David Nunn.

n i x – 1′. Solo Violin. 2020. for Darragh Morgan.

a e o l u s – Variable Duration. For One or Many Pianos. 2020. A Musical Postcard. for Rolf Hind. (score on fabric: pending)

YO-BONG – Variable Duration. Solo, Duo, or Trio. 2020. For Karen Xu. (score on wood: pending) 

F.A.O. – 10′. Solo Voice. 2019. Commissioned by Eda Er.

ginnungagap – 21′. Organ. 2019.

0R6AN MU51C – Variable . Organ and/or assistants. 2019.

Pavise – Variable. Organ. 2019.

Flux – Variable. Organ, with projection of feet and hands. 2019.

Six Folk Songs – 6′. Solo Violin. For Ellie Hedger

Circulate – 2’15. Great Bass Recorder. 2018.

the months run by, and the fields go red – 3’. Violin and Piano. 2018.

…amongst red flowers on a blue sea – 9′. Solo Violin. Commissioned by Eda Er.

Mr. Ai – 12′. Baritone Saxophone & Piano. Commissioned by Cameron Woodhead.

eighty-six and a bit – 3’30. Clarinet and Viola. 2017.

Night over Berstane – 3’30. Piano & Toy Piano. 2017. Commissioned by Késia Decoté.

behind you lies a path in the road, yet you took neither path – 11′. Two Violas. 2017.

…times when…all there is… – 13′. Solo Piano. 2017. Commissioned by Késia Decoté.

Invidia – 4′. Clarinet & Piano. 2015.

Chamber Music

eleven hammers on high mountains – c. 36 minutes. Guitars, Pianos, Percussion. 2022. 

mordred – 5′. String Quartet. 2021. 

Angel’s Landing – 1′. Soprano, Violin, & Cello. 2021.

Futurisma Phantasmagaia –  Open Duration. Reed Quintet. For Splinter Reeds. 2019.

SWB – 12′. MIDI Organ. 2019.

where the wind goes love knows no better – 20′. Voice, gong ageng, kempul, slenthem, and gènder (using both slendro and pelog). 2019.

…the unread pages of a journal…were unfolded leaf by leaf… – 21′. String Quartet. For Mivos Quartet. 2018.

Only Dull People Are Brilliant at Breakfast – 15′. Brass Quintet. – Composed for the Stockholm Chamber Brass Academy. Premiered by Wayward Brass, Leksand, Sweden, 2018.

The Comfort of Strangers – 3’30. Renaissance Brass. 2018.

on the bodily function of harmony – 6′. Recorder Orchestra. 2018.

Your Coat – 3′. String Quartet. 2017.

Loaded  – 7′. Flute, Clarinet, & String Quartet. 2017.

…secrets untold devour… – 14′. Trumpet, Piano, and Percussion. 2016. Commissioned by Jennie Boase.

Two Movements for String Quartet. – 8′. String Quartet. 2016.

When one takes one – 3′. Viola, Double Bass and Piano. 2016.

Temasek – 10′. Quintet (Flute, Clarinet, Violin, Cello and Piano). 2014.

Large Forces 

…the walls have ears…and can sing too… – 33′. 25 Musicians. 2020.

do you see…? – 24′. 6 Voices, 6 Loudspeakers, Organ, and Electronics. 2019.

In Darkness I Dwell: Asmodeus – 4′. Orchestra. – for SoundMine 2018.

A Portrait of the Countess Golovina – 3’30 for NME Ensemble, of The University of Birmingham. Commissioned for the 2018 Crosscurrents Festival.

Running with the Devil – 9′. Orchestra. 2016.

…must clear…we see… – 10′. Saxophone Choir. 2016.

Music for Attention – 7′. Amplified Ensemble. 2016.

…your beautiful is not my beautiful… – 5′.  Amateur String Ensemble, for CoMA 2016.

…miniatures… – 5’. Orchestra. 2015.

White Feather -10′. Chamber Ensemble. 2015.

Vocal & Choral

Leonard – 10′. Chamber Opera Short. Baritone, Clarinet, Cello, Chorus, Fixed Media. For Birmingham Opera Company, 2023. 

ORDER! – Open Duration. Any number of voices. 2019.

Of a Lady’s Love for him – Open duration. Baritone, 4-6 Violins, Viola, ‘Cello, Piano, all spatialised. 2017. 

Three Songs – 5′. Soprano and Viola. 2016.

…cold…ice…frost… – 5′. SSA Soloists. 2015.

Loaded III: Charly – 10′. Solo Soprano. 2015.

On the tor…lament of no words – 5′. SSA Soloists. 2014.

Open Instrumentation 

even with distance our bodies resound – 5′.  for Birmingham 2022 Commonwealth Games, co-composition with Year 9 students at the University of Birmingham School, commissioned by Birmingham Contemporary Music Group, 2022. 

Cascade No. 1 – Open Duration. Graphic Score. 2022.

it matters what sounds sound sounds – Open Duration. Text Score. 2022.

…is what you make it – Open Duration.

RAISINS AND BUBBLEGUM! – Open Duration. Open Score. 2019.

Electronic/Electroacoustic 

…here, now afar… – Variable – Text Score – Continuous 24-hour stream: available here from May 4th-Present: https://streamingv2.shoutcast.com/toneburst-laptop-ensemble

sensorium organum – 4′. Electronic.

the open space in my mind is cluttered – 7’30. Electronic.

…limited… – 9′. Multimedia.

Hyper Reality – 7′. Acousmatic.

Music for Film

Silence – Film by Kathryn O’Reilly, music for Guitars, Piano, and Field Recordings.